South Pitch, formerly known as Pitch Perfect, is the New Orleans Film Festival’s pitch competition platform.

 

The 8th annual South Pitch which was held during the 29th New Orleans Film Festival. Here are the winners the 2018 South Pitch Competition Winners:

IF/Then Short Documentary Competition
Blood Peach from Zuri Obi

Narrative Open-Call
All Dirt Roads Taste of Salt from Raven Jackson

Student Narrative
Bird from Katherine Propper

Student Documentary 
Proper Pronouns from Meg Daniels

Since 2011, South Pitch has provided a unique opportunity for filmmakers living and working in the American South to practice the art of pitching. South Pitch consists of three pitching competitions: If/Then is held in partnership with the Tribeca Film Institute is for short documentaries, Narrative Open-Call accepts features and Student Pitch Competitions are run for both documentary and narratives. In this annual competition, filmmakers from across the American South have three minutes to pitch their next film production. Participants present their concepts or works-in-progress to panels of three judges—film professionals and industry insiders—who offer constructive feedback for all participants. Previous pitch judges have included Philipp Engelhorn (Cinereach), Dan Schoenbrun (Kickstarter), and Debra Zimmerman (Executive Director, Women Make Movies). Winners of each track receive a prize to aid in the creation of their pitched project.

For any further questions about South Pitch, please contact pitch@neworleansfilmsociety.org.

The New Orleans Film Festival, in partnership with Tribeca Film Institute is thrilled to stimulate the art of short-form documentary storytelling with IF/Then, a pitch competition open to filmmakers living and working in the American South.

 

The pitch calls for original stand-alone commissions of short documentaries (running 10-20 minutes) that explore a range of socially, politically and culturally relevant topics about the American South. With an intentional focus on place-based, community-inspired, short-form storytelling, we are looking for compelling character-based stories focused on contemporary subjects that are relevant globally.

Up to six projects will be selected to enter the IF/Then Shorts pitch competition at NOFF before a panel of industry judges on October 19, 2018. Each pitch team will have 7 minutes to present their project, which will be followed by a short moderated discussion with a tailored jury.

One project, selected by the jury, will receive up to USD $20,000 in project funding and will have the opportunity to participate in TFI’s IF/Then Shorts Program, which provides year-round mentorship and career development opportunities.

 

2018 IF/Then Short Documentary Competition Winner:
Blood Peach from Zuri Obi

 

Applications will be open in June 2019.

 

If / Then 2018 Finalists

 

Dixie’s Last Stand
Directors: Emily Harrold; Kelly Creedon; Seth Gadsden
Set in Orangeburg, South Carolina this film follows a battle over a Confederate Flag flying in the center of town in the wake of the 2015 Charleston Massacre. Through the battle, the film challenges audiences to consider if the Flag has a place in Southern culture of the 21st Century.

 

 

Blood Peach
Director: Zuri Obi
Wild peach groves grow full and lush along the Mississippi River. Tantalizing as they may be, they remain untouched for the people of Natchez know the bloody history of the land that feeds these strange fruit.

 

 

 

Dependent
Director: Ashley Panzera Producers: Angela Tucker, Lauren Domino
Caught in the crosshairs of the War on Drugs and the pro-life movement are women who become pregnant while struggling with substance abuse. DEPENDENT follows one woman’s journey into recovery while managing life and motherhood.

 

 

Natour’s Grocery
Director: Nadine Natour Producer: Julie Cohen
A first person portrait of a popular grocery store run by an offbeat Arab-American immigrant family in the rural Virginia town where the Civil War ended.

 

 

 

The Sixth Wall
Directors: Emily MacKenzie; Noah Collier
Located in the carpet Capitol of the world, Dalton Georgia, a self fashioned Scottish cowboy wields the influence of American identity as he prepares to move his textile business from one of the last remaining American manufacturers to China. Where does the myth of American identity begin and end and who is entitled to manipulate it for profit?

 

 

Open-Call Narrative is looking for applications from Southern filmmakers to pitch their next project.

Applications require a working title, project description, treatment, and applicant bio. If selected, you will have the chance to pitch your project, but remember: you only have three minutes. Once you’ve finished your pitch judges will give every participant personalized feedback, and the winner will be one step closer to making their project a reality.

The winner of South Pitch will receive a $40,000 post-production package (to include post-production consultation, online conform, and Full Digital Intermediate color grade) from Kyotocolor.

 

2018 Narrative Open-Call Competition Winner:
All Dirt Roads Taste of Salt from Raven Jackson

 

Applications will be open in June 2019.

 

Narrative Open-Call 2018 Finalists

 

Orphan Country
Producer: Robert Colom
With their agency invalidated by their youth, three children of different eras experience exile and emigration over a fifty-year span of the Cuban Revolution.

 

Nature Boi
Director: Nisa East
A young man’s infatuation with his pet insects descends into a series of erotic and sadomasochistic experiments. Nature Boi is a story of adolescent sexual fantasy, violence and possession, told through an early-summer bug infestation in Southern Florida.

 

Love in Gretna
Director: Daneeta Loretta Jackson
A 60 something divorcee falls in love with a married man and conspires to have him at all costs. Religion, magic, and bad blood bonds commingle in this black comedy/drama set in Down the Road, Louisiana against the backdrop of climate change and the Trumpocracy.

 

All Dirt Roads Taste of Salt
Director: Raven Jackson
In fluid, non-linear portraits evoking the texture of memories, “all dirt roads taste of salt” viscerally and experientially explores the life of a Black woman in the American South – from youth to her older years.

 

Murder Ballads
Director: Michael Curtis Johnson
Hank Huckabee and Brandon Tyler killed three men who responded to a fake classified ad they posted on an online job board for a caretaker position. A fourth man managed to escape. Based on true events.

 

Distance
Director: Najma Nurriddin
An innocent moment while exploring turns into a full blown relationship. Fati, a confident New Orleanian who loves to travels mets the free-spirited Pascal who owns a surf shop in Haiti. While Fati walks the streets of Jacmel, taking in which all the land has to offer that is deeply connected to her home town, she mets the good vibes of Pascal.

 

Not For Me
Director: Eavvon O’Neal
When their uncle Rafael is found dead, Sasha & Finn head to Memphis to prepare his estate and discover a trove of self-produced, unreleased art, left for the kids as a weird scavegernhunt that points to his killer.

 

Comac
Director: Aby Rao
A Filipino-American woman and a Kurdish-Iranian refugee teenager face cultural and familial expectations which clash with their passions and life-long dreams. Their mutual love for Taekwondo helps them achieve unimaginable goals.

This year’s participating institutions are Florida State University, Loyola University, Wake Forest University, University of Alabama, University of Texas – Austin, University of New Orleans, Southeastern Louisiana University, and Auburn University.

The process for all student rounds is done by nomination on the university level by participating institutions; we do not accept applications for this track. If you attend one of the participating institutions, please contact your university for further information. Students not nominated for this track, or who attend Southern institutions that are not participating, are encouraged to apply for Open-Call Narrative or IF/Then’s Open-Call!

 

2018 Student Narrative Competition Winner:
Bird from Katherine Propper

2018 Student Documentary Competition Winner:
Proper Pronouns from Meg Daniels

 

Applications will be open in June 2019.

 

Student Narrative 2018 Finalists

 

The Marked
Director: Laura Duval
In a futuristic dystopian world that defines duty as self-sacrificing behavior and caring for
government and strangers over family and self, young adults are put into retirement when their bodies are covered by tattoos that reveal their greatest gift and curse: remote viewing. A young idealistic remote viewer, on a journey to deliver a family heirloom, must decide whether she will die as a hero or escape to the real world to live the life of a regular teenager with no gifts except the gift of free will.

 

Happy Place
Director: Christopher Greening
An animated film following a teenager named O, who has a unique disability of not having a mouth, as he attempts to learn how to be happy with the help of his imaginary friend, Martin, in order to be able to teach his Mom how to be happy as well.

 

Last Letter
Director: John Hover
A young man goes on an emotional journey to find his father, who is dying from Alzheimers.

 

Viola
Director: Alex McFry
In White Plains, Alabama in 1959, a 30 year old woman takes revenge after she is raped by two brothers who work on her father’s farm.

 

Flora
Director: Raina Perez
When her whole world comes crashing down after a fatal car accident, Maribel finds comfort in a holiday
from her Mexican heritage that doesn’t see death as end but as the start of something new.

 

Birds
Director: Katherine Propper
Popular on Instagram, a Texas teen with amazing tumbling abilities does whatever it takes for fame until it goes too far.

 

Oh Holy Night
Director: Layne Watts
A 17 year old girl unknowingly sleeps with her older sister’s boyfriend.

 

Student Documentary 2018 Finalists

 

Moving Together
Director: Maggie Bailey
Moving Together celebrates the timeless relationship between music and movement through three different lenses: contemporary modern dance, Flamenco, and West African dance. This film interweaves performance and interview providing an insight into the collaboration between artists while showing the universial language of music and dance.

 

Before It’s Gone
Director: Alexis Chapital
After a sudden influx in the gentrification of historically Black neighborhoods in New Orleans, there is a strong decline of native New Orleanians in historically Black neighborhoods. With these sudden changes, Before It’s Gone attempts to tackle the discrepancies of the past and present and arrive at what will be the future of this unique city and its’ inhabitants.

 

Remedy
Director: Alex Cherry
Remedy tells the story of three subjects’ experiences with equine therapy – a form of experimental therapy that involves interaction between patients and horses – and the struggles of the University of Alabama Equestrian Team to institute an equine therapy program in their own community.

 

Proper Pronouns
Director: Meg Daniels
Proper Pronouns tells the story of Dawn as she seeks validation in the pulpit and
reconciliation in her marriage, problems she did not face when she was Duane.

 

Conservatory
Director: Brad Dillard
At a prestigious art conservatory, three African American artists must navigate their hectic senior year, while also leading an organization that promotes diversity and inclusivity on campus.

 

10-2: The Non-unanimous Jury Verdicts of Louisiana
Director: Ben Donnellon
The story behind Louisiana’s Jim Crow era non-unanimous jury system that’s still in effect today, and the people who’ve dedicated their lives to change it.