Southern Producers Lab

Karim Ahmad is the Director of Outreach & Inclusion at the Sundance Institute, where he oversees emerging artist outreach initiatives and cross-discipline creative / professional development activations and partnerships. He also leads inclusion strategy across the organization, and advocacy for marginalized artists in the field. Previously, he was Senior Strategist for ITVS, where he oversaw numerous film funds and headed digital content production and creative development for episodic and immersive media. He was the Creator and Senior Producer of Indie Lens Storycast, an Independent Lens branded YouTube channel on PBS’ Digital Studios MCN, and the Creator and Showrunner of the iconic sci-fi series, FutureStates . Karim is also an independent cross-platform writer and producer and can be found on Twitter as @thatkarimahmad.

Dilcia Barrera is Associate Curator of Film Programs at the Los Angeles County Museum of Art (LACMA) and a Film Programmer for Sundance Film Festival. Since 2007, she has worked for numerous film festivals, including a tenure as Senior Programmer at AFI FEST, Programmer for The Philadelphia Film Festival, and has collaborated with Los Angeles Film Festival and OUTFEST. Most recently, she was invited to curate two new film categories for The New York Film Festival. She has served on international film festival juries like Berlin International Film Festival and SXSW and in 2016 was named one of “IndieWire’s 20 Latin Americans Making a Difference for American Independent Film Today.”

Ann Bennett is an Emmy nominated documentary filmmaker and multimedia producer. She produced the NAACP Image Award-winning PBS feature documentary Through A Lens Darkly: Black Photographers and the Emergence of a People, as well as the multi-platform community engagement initiative, Digital Diaspora Family Reunion (DDFR). Bennett’s film credits include Citizen King and Fisk Jubilee Singers for the PBS series “American Experience,” Hymn for Alvin Ailey for “Dance in America,” and the award-winning PBS mini-series Africans in America and America’s War on Poverty. She is currently producing the film Always in Season (directed by Jacqueline Olive), one of ten films selected for Tribeca Film Institute’s All Access program for 2018. Bennett is a graduate of Columbia University Graduate School of Journalism and Harvard College.

Jannette Bivona is the Initiatives and Field Relations Manager at ITVS where she works across all funding initiatives for production and development and facilitates outreach strategy in the field. Recent ITVS-funded films include Always in Season, Minding The Gap , and Trapped . Jannette also serves as a reader and screener for a number of funding initiatives and film festivals. Prior to joining ITVS, she was the Executive Assistant at the Telluride Film Festival, where she managed submissions and programming among other duties.

Maggie Bowman is a documentary film producer and director. As Series Producer for Hard Earned , she led the team at Kartemquin Films that made the 6-hour series about American families working low-wage jobs. Hard Earned won a duPont-Columbia Award in 2016, following domestic and international broadcasts on Al Jazeera. Previously, Bowman produced Election Day (SXSW 2007, POV 2008). Prior to her work in film, Bowman was a union organizer and consultant, working on campaigns with taxi drivers in the Bronx, nurses in Iowa, and home health aides in Brooklyn. She was a Fellow at the Investigative Reporting Program at UC Berkeley in 2017, and she recently served as Kartemquin’s inaugural Artistic Fellow, a position in which she provided mentorship and creative guidance to Kartemquin filmmakers at various stages of the filmmaking process. She is now co-directing the forthcoming series We Are Witnesses: Chicago , with Kartemquin, The Marshall Project, and the Illinois Humanities Council. She is an active member of the Documentary Producers Alliance.

Ryan Broussard is a payroll and production incentives specialist focusing on U.S. incentive states and localities. With over 15 years’ experience in the production payroll industry, Ryan is dedicated to helping clients find the best filming location, state incentives, and local resources for their projects and maximizing their return. As Vice President of Sales and Production Incentives at Media Services, he brings his expertise to payroll clients looking to combine the top digital tools with quality payroll service and incentives consultation.

Sonya Childress serves as the Director of Partnerships and Engagement for Firelight Media and has positioned film as a tool to shift narratives and support social justice movement building for over 15 years. Prior to her tenure at Firelight, she held staff and consulting positions with California Newsreel, Active Voice, Kartemquin Films, Working Films, and the Independent Television Service. She led the impact campaigns for The Black Panthers: Vanguard of the Revolution, Freedom Summer, Freedom Riders, and Hip-Hop: Beyond Beats and Rhymes; and contributed to numerous others, including The Interrupters, Favela Rising, Farmingville, and The New Americans. A graduate of the University of California-Berkeley, she is a frequent speaker, funding panelist, and was an inaugural 2015 Rockwood JustFilms fellow. Sonya serves on the boards of Million Hoodies Movement for Justice and The Whitman Institute. Of Puerto Rican and African American descent, Sonya resides in Los Angeles, California.

Mercedes Cooper is the Director of Marketing at ARRAY, an LA-based arts collective dedicated to the amplification of films by people of color and women founded in 2010 by filmmaker Ava DuVernay. Here she has developed branding and promotion of 17 independent film campaigns including Sundance 2012 Best Director winner Middle of Nowhere and the re-release of 1983 Berlinale FIPRESCI Prize winner Ashes and Embers. Cooper also manages ARRAY @ The Broad, an on-going film series featuring classic and contemporary films curated with an eye toward the intersection of art, history, and cultural identity. Prior to this position, Cooper was the Marketing Coordinator at Columbia College Chicago’s Portfolio Center while completing an M.F.A. in Film and Video Production. Her career in media began as Program Coordinator for the Radio Television Digital News Foundation’s Journalism Ethics Project. As an alum of University of Maryland College Park, she holds a B.A. in Economics and also studied at the University of São Paulo in Brazil. Cooper previously served on the Metropolitan Board of the Chicago Urban League’s Executive Board and is a Film Independent Project: Involve Fellow; which upon conclusion of the program she was named the 2011 Barbara Boyle Scholar.

Lauren Domino is a producer and writer. She produced the short film “Alone” (NYT OpDoc) which won the Short Film Jury Award: Non Fiction at the 2017 Sundance Film Festival. Her work as a producer also includes Black Folk Don’t (PBS), “Like” (Field of Vision, SXSW), “The Older Fish” (Time Inc., Killer Films), “Intersection” (Frameline, ABFF), and American Rhapsody (Aubin Pictures). Her work as a writer includes the short film “Intersection” and the feature film Paper Chase (Gunpowder & Sky) which will shoot this summer. With a passion for increasing the profiles of women and people of color in film, Domino has worked with the New Orleans Film Society to launch Emerging Voices, a mentoring initiative for people of color. The former director of the Columbia University Film Festival; she has produced branded content, photo spreads, and live events for The New Yorker, Elle.com, The Oscars, Microsoft, and Essence Festival. She is a 2017 Sundance Institute Creative Producing Fellow.

Jayeesha Dutta is a tri-coastal, nearly tri-lingual Bengali-American artist, activist, and strategist who leads the StoryShift initiative at Working Films. She is also part of the core leadership circle for Another Gulf Is Possible Collaborative, galvanizing the voices and experiences of brown (indigenous, latinx and desi) women from across the Gulf Coast working towards a just transition for our people and the planet. She is communications committee chair on Big Class/826 NOLA’s board of directors. Jayeesha is an avid traveler, home chef, live music aficionado, loves being near (or in) any body of water. Jayeesha was born in Mobile, raised in New York, aged in Oakland and is deeply grateful to call New Orleans home.

Locsi Ferra is a prolific network builder who has dedicated herself to advancing equality and social good causes around the world. For the past 7 years, she led media engagement and social impact initiatives supporting documentary film and is now bringing her expertise to narrative projects as Advisor on Impact & Social Innovation for Killer Content and their new creative studio venture Level Forward in partnership with filmmaker and philanthropist Abigail Disney. At ITVS she served as Director of Distribution, Campaigns, and Strategic Partnerships where she produced multiple high impact campaigns for films including Half the Sky, The Invisible War, and Ted Talks on PBS. Locsi is an expert creator of multi-platform media initiatives using film as a tool for social change. She championed Women and Girls Lead, a multi-year campaign reaching 59 million viewers in the U.S., which scaled into a global program mobilizing communities in 5 social change countries. She is an established engagement professional and social impact entrepreneur with a successful track record for large-scale and community-based projects with Amnesty International USA, La Casa de las Madres, in addition to international development experience with UNPFA Nepal, and Paz Y Desarollo Vietnam. Locsi holds a Bachelor’s degree in International Relations from San Francisco State University and Master’s Degree in Gender and International Development from the Institute of Development Studies at the University of Sussex, UK.

Graham Fine is Manager of Acquisitions at The Film Sales Company, the New York-based sales company that strategizes and secures distribution for independently produced films. Since its founding in 2002, The Company has successfully raised financing for and sold over 200 films to a diverse group of domestic and foreign distributors.

Jess Fuselier is a community outreach, marketing, and data specialist living in Los Angeles, California. She recently joined the Creative Distribution Initiative as manager of research and education. At Sundance Institute Jess works to cultivate meaningful insights rooted in data transparency, in order to create resources that impact the sustainability of the independent film community at large. Originally a Texan with an early career as a professional ballet dancer, she concentrated her love of people, technology, and social purpose towards helping filmmakers target and engage their audience. She pioneered a community outreach program to connect film sets across the U.S. with the communities in which they operate and led efforts to support critical non-profit community service providers. An experienced coder, she has worked for several early-stage companies in Austin, and co-founded Young Women Who Code, teaching elementary age girls the building blocks of STEM education.

Cristina Ibarra has been making award-winning films for PBS that explore the US-Mexico border for the past sixteen years. Her most recent film, The Infiltrators , premiered at the 2019 Sundance Film Festival. Her documentary Las Marthas premiered on Independent Lens in 2014; The New York Times called it “a striking alternative portrait of border life.” Her PBS documentary collaboration, The Last Conquistador , had a national broadcast on POV; USA Today called the film “Heroic.” Her first short fiction, “Dirty Laundry: A Homemade Telenovela,” won multiple awards and was broadcast on PBS. Ibarra has created mini-films with the NY International Latino Film Festival, LPB, and the Latina collective fulana.org. She is the recipient of numerous fellowships from the Rockefeller Foundation, the New York Foundation for the Arts, CPB/PBS Producer’s Academy, the Latino Producers Academy, Firelight Producers Lab, and Creative Capital among others. She is a fellow of the Sundance Women’s Initiative.

Jason Ishikawa is an Executive at Cinetic Media where he overseas international sales and worldwide distribution strategies for the company. His responsibilities include working in and across Cinetic’s financing, corporate, and project consultation, and domestic sales arm for feature narrative and documentary films. Recent sales titles include Abacus, Blaze, Cold Case Hammarskjold, Hale County This Morning This Evening, Knock Down the House, Last Men in Aleppo, Love Means Zero, RBG and We the Animals . Other recent Cinetic Media projects include Academy Award winners Free Solo and Green Book . Prior to joining Cinetic, Jason worked at The Film Sales Company where he was the Senior Director of Acquisitions, Financing, and Sales. Jason graduated from New York University’s Tisch School of the Arts and holds a BA in Cinema Studies.

Elise McCave is the Director of Narrative Film at Kickstarter, where she works with filmmakers worldwide to build communities of support and bring their films to life. She was previously at BRITDOC, where she served as Deputy Director and oversaw Good Pitch.

Darcy McKinnon is a documentary filmmaker and Executive Director of NOVAC, the New Orleans Video Access Center, which has supported community-based media in Southeast Louisiana since 1972. She is a co-founder of ALL Y’ALL, with Elaine McMillion Sheldon. McKinnon’s work in documentary includes the film Maquilapolis and Live, Nude, Girls, UNITE! She produces documentary work with Southern filmmakers, and is currently in post-production on “Animals” a short documentary about New Orleans’ love affair with a shoe; in production on “Neutral Ground” with CJ Hunt, a documentary about New Orleans’ struggle to remove Confederate monuments; and in development on “Commuted” with Nailah Jefferson, which explores the impact of Louisiana’s criminal justice dysfunctions through the portrait of the life of one woman, which just received development funding from Chicken & Egg.

Jordana Meade serves as Director of Distribution for the Emmy® and Peabody Award®-winning ITVS, leading content distribution strategy and operations for the organization and collaborating with senior teams to reimagine licensing solutions, business growth opportunities, and digital expansion, maximizing the long-tail success of documentary titles, brands, and partner filmmakers. Previously, Meade managed global distribution, sales, and marketing for Starz Entertainment’s digital division, developing sell-in and sell-through strategies in support of acquisitions and original programming across worldwide platforms, spearheading the digital sales, placement and home entertainment marketing strategy for films including The Imitation Game, It Follows, Tumbledown, and Lion. She also worked with executive teams to evaluate content for inherent artistic value and commercial viability. Prior to Starz Digital Media, Jordana managed marketing and advertising programs for Cinedigm, one of the largest distributors of digital video content worldwide. Maximizing merchandising and sales tactics for a 50,000+ title library, Meade collaborated on theatrical and ancillary release strategies for Oscar® nominees The Invisible War, Chico & Rita, and Hell and Back Again, and helped launch digital campaigns for partners and key brands, including,  Docurama, Tribeca Film, and Sundance Institute. Meade began her career in operations and sales at Sundance Film Festival, then advanced to film exhibition, serving on the Board of Directors for Women in Film and Television–Florida and directing 360-degree marketing and publicity campaigns for Academy Award®-accredited film festival and theater the Florida Film Festival and Enzian. Nothing excites Jordana more than the sum of a good story, a dark room, and a box of fresh, warm popcorn.

Jannet Nuñez is the Content Development Manager at ITVS, public media’s leading incubator and presenter of independent film. She oversees the Diversity Development Fund established to provide seed funding to producers of color and support filmmakers transitioning into production. Jannet has served as a reviewer, panelist, and juror for a number of organizations and film festivals including 4th World Indigenous Lab, BAVC, Kartemquin, Pacific Islanders in Communication (PIC), SFFILM, and Sheffield International Documentary Festival. She holds an MFA in Film Production and a BA in Film & Chicano Studies.

Josh Penn is a producer with the Department of Motion Pictures. He produced Beasts of the Southern Wild (2012), which won the Sundance Grand Jury Prize, the Caméra d’Or at Cannes, and was nominated for four Academy Awards (including Best Picture). In addition, Josh was nominated for Outstanding Producer at the 2013 Producer’s Guild Awards. He has also held producing roles on PATTI CAKE$ (Sundance 2017), Western (Sundance 2015 Special Jury Prize Winner), The Great Invisible (SXSW 2014 Grand Jury Prize Winner,) and Contemporary Color among other films. Josh premiered two projects at Sundance 2018: Monsters and Men (Special Jury Prize for Outstanding First Feature) and the live documentary A Thousand Thoughts. Additionally, Josh has been a leading member of the Court 13 collective for over a decade. Outside of his work in film, Josh was previously the Michigan New Media Director for President Obama’s 2008 campaign and a Senior Digital Program Manager for the 2012 re-election campaign.

Lindsay Peters is the Executive Director of Frontières, a co-production market and networking platform for the genre film industry, co-organized by the Fantasia International Film Festival and the Marché du Film – Festival de Cannes. She has over 10 years of experience in international festival management and film programming, with past positions at the Toronto International Film Festival, the Canadian Film Centre, Fashion in Film, and the Museum of the Moving Image. She is on the advisory board of the Overlook Film Festival and is a mentor for the Film Agency for Wales, the Nordic Genre Boost & Shudder Labs.

Jolene Pinder is currently the Executive Director of #CreateLouisiana, an organization designed to champion indigenous Louisiana talent and support the entertainment industries that are integral to the region. Prior to this role, she served as the Executive Director of the New Orleans Film Society – the producer of the Oscar-qualifying New Orleans Film Festival – for six years. She also worked at Arts Engine in NYC as a documentary film producer and Director of the Media That Matters Film Festival. During this time, she was a member of the inaugural Collaborative Studio at UnionDocs in Brooklyn. Her work has screened at various venues and festivals around the world including Frameline, NewFest, Sarasota, and MoMA.

Artistic Director and co-founder of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. With his first film Home for Life (1966) Gordon established the direction he would take for the next five decades, making cinéma vérité films that investigate and critique society via the unfolding lives of real people. At Kartemquin, Gordon has created a legacy of making high-quality, social-issue documentaries such as Hoop Dreams (1994), The New Americans (2003), and The Interrupters (2011). A lifelong-supporter of public media, Gordon helped establish the Indie Caucus to champion independence and diversity in public television and led the charge to create the Documentary Filmmakers’ Statement of Best Practices in Fair Use. Gordon has served on the boards of The Illinois Humanities Council, Chicago Access Network Television, and The Public Square Advisory Committee. In 2015, the IDA awarded Gordon its Career Achievement Award, honoring his services to documentary filmmaking.

María Cherry Rangel is the daughter of migrant agricultural workers and musicians who worked the land of many Southern states. A New Orleans based cultural organizer, philanthropy strategist, and curator with 13 years experience at the forefront of the arts and culture sector, her organizing and advocacy is focused on building spaces for the most marginalized to create work, and redirecting resources to communities of color as a matter of justice. As Co-Founder of Mangos with Chili (2006-16), she developed the work of over 150 queer and trans artists of color, initiated dialogue around bias in arts funding and practice, and ushered in a new era of possibility for QTPOC centered arts and culture. She has led several efforts to help arts funders move towards more equitable funding practices, including serving as the inaugural Equity Auditor for the 2017 MAP Fund grants panel, co-authoring Ford Foundation’s Arts and Culture Scan of the South report (forthcoming), and leading Foundation for Louisiana’s arts and culture strategy. She leads with her lifelong commitment to making a place at the table for everyone and ensuring that the work of underrepresented artists is lifted up, recognized, and always possible. She is a 2018 Intercultural Leadership Institute Fellow and serves on the boards of the Queer Cultural Center, the New Orleans Queer Youth Theater, and Peacock Rebellion.

Marta Ravani-Lorber has worked in production and international sales for well over a decade. She has helped finance and distribute films within production companies and in concert with international sales agents both in France and England. She is currently Director of Digital, TV and Video Sales at Protagonist Pictures, an international finance, production, and sales company with a proven track record in outstanding films and commercial successes. Based in the UK, the company handles films from around the world, maintaining a strong focus on filmmakers with exceptional vision and storytelling skills.

Alex Rivera is a filmmaker who, for the past twenty years, has been telling new, urgent, and visually adventurous Latino stories. His first feature film, Sleep Dealer , a science-fiction feature set on the U.S./Mexico border, won awards at the Sundance Film Festival and the Berlin International Film Festival, was screened at the Museum of Modern Art, and had a commercial release in the U.S, France, Japan, and other countries. Alex is currently developing Sleep Dealer as a TV series with the support of a major studio. He is a Sundance Fellow, Rockefeller Fellow, was The Rothschild Lecturer at Harvard University, and was named one of Variety Magazine’s “10 Directors to Watch.” In 2015 Alex was awarded major support from the Surdna Foundation and the Ford Foundation for The Infiltrators , which premiered at Sundance earlier this year, and received an Art & Technology Lab Grant from LACMA, as well as support from Time Warner for an experimental project in virtual reality. Other recent collaborations include a series of activist music videos produced by the National Day Laborer Organizing Network (NDLON) with artists including Manu Chao, La Santa Cecilia, and Aloe Blacc, which have collectively received over 20 million views. He studied at Hampshire College.

Shrihari Sathe is an independent producer and director. Sathe received the 2019 Independent Spirit Award – Producers Award  His feature directorial debut, Ek Hazarachi Note (1000 Rupee Note), has received over 30 awards. Sathe is a 2013 Sundance Institute Creative Producing Fellow and has received fellowships from the HFPA, PGA, IFP, Film Independent, and The Sundance Institute. He produced Bassam Jarbawi’s Screwdriver (Mafak), Eliza Hittman’s It Felt Like Love, Elisabeth Subrin’s A Woman, A Part among others. He is a Film Independent Producers Lab (2011) fellow, Trans Atlantic Partners fellow (2013), Cannes Producers Network fellow (2014, 2015, 2016). Sathe is the recipient of the 2016 Cinereach Producer Award. He is a member of the Producers Guild of America (PGA), Indian Motion Picture Producers Association (IMPPA) and Film Writers Association – India (FWA).

Emmy Award-winning producer Amy Shatsky is the Series Producer of Independent Lens, PBS’s primetime documentary anthology series. She supervises the editorial, contracting, packaging and delivery of films for broadcast. Independent Lens films have garnered numerous accolades including Emmy Awards, Academy Award Nominations, DuPont Awards, and Peabody Awards, and the series was honored as Best Series by the International Documentary Association. In addition, Amy manages a portfolio of ITVS-funded films, and provides content development feedback to filmmakers. Amy joined Independent Lens and ITVS after more than 15 years producing documentaries and narrative feature films in New York. Her credits include award-winning films and television programs for HBO, PBS, Disney Channel, Starz, and Comedy Central, which have premiered at such venues as Sundance, SXSW, Venice, Tribeca and Toronto. Amy is a member of the Producer’s Guild of America and holds an MFA in film production from New York University and a BA from Cornell University.

Summer Shelton was the recipient of the 2018 Independent Spirit Piaget Producer’s Award. She produced Maine , which premiered at the 2018 Tribeca Film Festival, and Keep the Change , the 2017 Tribeca Film Festival Best Narrative Feature that was also awarded a FIPRESCI Critics’ Prize at the 2017 Karlovy Vary International Film Festival. She was Executive Producer of People Places Things , which premiered in US Dramatic Competition at the 2015 Sundance Film Festival; produced “Icarus” (short), which premiered at the 2015 New Directors/New Films Festival; and produced Little Accidents , which had its World Premiere at the 2014 Sundance Film Festival. She Co-Produced Goodbye to All That (2014) and Adult World (2013), both of which premiered at Tribeca. She has worked alongside critically acclaimed director Ramin Bahrani as Associate Producer of Goodbye Solo (2008), an official selection at Venice; Co-Producer of Plastic Bag (2009); Associate Producer of At Any Price (2012), which premiered at Venice; and Producer of “Ég Anda” (2012), a short film created as part of Sigur Rós’s Valteri mystery film experiment. She was the recipient of the inaugural Bingham Ray Creative Producing Fellowship awarded by the Sundance Institute (2012), a Rotterdam Producing Fellowship (2013), and Film Independent Sloan Producing Fellowship (2014).

Laura Singleterry is a New Orleans-based filmmaker. She received a BA in Communications: Drama and Film from the University of New Orleans. In 2005, she produced the independent feature, Down in New Orleans , which was filmed pre-Katrina and awarded a prize at WorldFest Houston. She lived in Austin from 2005-2009 working as a 2nd AD. She was a Supervising Producer on Campus Radio and worked as a Producer for Extra Butter Pictures, LLC. In 2009 the short film she produced, “Privateer,” premiered at the Festival de Cannes in the Short Film Circle. She returned to New Orleans in 2010 and in 2012 took a break from production to work as a client specialist for Scenios, the NYC cloud-based production platform. Also in 2012, she opened New Orleans Artist Agency to represent actor Nathan Grubbs and manages a small roster of clients. She works as a Producer ( Gumshoe! ), Line Producer ( Swamp People S10, Frenchy & Jett , Crescent City , Fractured ), UPM ( Deed S2, Swamp People S9, American Dream , Deed S1, 68 Kill , Monsoon Mangoes , Indiscretion , Brawler ) and Music Supervisor ( White Rabbit ). In addition, she has provided accounting services for independent film productions. She is currently line producing a documentary about veterans with PTSD and the communities that support them. Laura provides budget breakdowns and packages as well as tax credit consultation.

Elizabeth Lodge Stepp is a producer with the Department of Motion Pictures and an actress based in Austin, Texas. She was a 2016 Sundance Feature Film Creative Producing Fellow with the film Monsters and Men, which premiered at the 2018 Sundance Film Festival and won the U.S. Dramatic Special Jury Award for Outstanding First Feature. In addition, she produced the documentary Brimstone & Glory, which was named one of the Top 5 Documentaries of 2017 by the National Board of Review and was nominated for 4 Cinema Eye Honors awards. She also produced the documentary Kerri Walsh Jennings: Gold Within which premiered on NBC in 2016, and co-produced Knight Of Cups (2015) and Song to Song (2017), both directed by Terrence Malick.

Rahdi Taylor is Head of Artists in Residence at Concordia Studio, a mission-driven studio launched by Davis Guggenheim with Laurene Powell Jobs to produce and finance the next generation of story-driven nonfiction. She spent 10 years at Sundance Institute where she served as Head of the Sundance Documentary Fund. Her role was to award financing and creative support to documentary films globally. Films supported include Academy Award nominees Minding the Gap, Hale County, Strong Island, I am Not Your Negro, and Trouble the Water , among others. Additional films supported include Shirkers, 306 Hollywood , and United Skates . Taylor enjoys leading field-wide interventions, and designed and directed the Documentary Core Application, a common funding proposal adopted by most US and several international documentary funders. She also created the Doc Film Money Map, a tool to catalyze nonfiction filmmakers to use state tax incentives for indie doc financing. She authored the Impact Storyboarder to translate organizing principles and practices for nonfiction filmmakers for more powerful campaign strategy. Prior to Sundance, Taylor worked in film distribution as Director of Marketing and Communications for California Newsreel, and as Director of Production Assistance (Development) at Women Make Movies. She serves frequently in the field as a juror, panelist, and industry advisor for international film festivals, funding panels, and pitch forums.

Angela Tucker is an Emmy-nominated producer, writer, and director. Her directorial work includes Paper Chase , a teen comedy in pre-production with Gunpowder and Sky; All Styles , a dance movie available on Showtime; Black Folk Don’t , a four-season documentary web series featured in Time Magazine ’s “10 Ideas That Are Changing Your Life,” and (A)sexual, a featurelength documentary that streamed on Netflix and Hulu for four years. She is in her sixth year as Series Producer of the PBS strand, AfroPop and was Co-Producer on The New Black . Previously, she was Director of Production at Big Mouth Films, a social issue documentary production company. There, she worked on several award-winning documentaries, including Pushing the Elephant (Independent Lens). In 2006, she co-founded TuckerGurl LLC, a production company passionate about telling compelling and irreverent stories about underrepresented communities. Tucker was a Sundance Institute Women Filmmakers Initiative fellow. She received her MFA in Film from Columbia University.

A veteran of the independent film industry for over 20 years, Michael Tuckman began his career at The Cinema Guild, where he was hired to start the company’s theatrical distribution division. Tuckman went on to serve as Vice President of Theatrical Sales for THINKFilm, handling the planning and implementation of all theatrical release strategies, including the breakout successes of Oscar-winning and nominated films including Spellbound, Half Nelson , and Born Into Brothels , as well as the box office smashes The Aristocrats and Before the Devil Knows You’re Dead . He now operates his own distribution services company, mTuckman media (MTM), through which he works directly with filmmakers under their own banners. Most notably, he has handled Koganada’s Columbus , which grossed over $1 million at the box office; Shane Carruth’s Upstream Color ; Detropia , from the Academy Award-nominated directors Heidi Ewing and Rachel Grady; and Rory Kennedy’s Academy Award-nominated Last Days in Vietnam . Others collaborations include Frederick Wiseman’s La Danse, The Paris Opera Ballet, At Berkeley, In Jackson Heights , and Monrovia, Indiana , as well as national releases for Sundance standouts such as 306 Hollywood and American Promise . MTM handled the theatrical campaign for the Academy Award-nominated documentary The Square , as well as We Come As Friends , which was named to the shortlist for the Academy Award for Best Documentary. His company also provides theatrical booking and consultation services to distributors including Tribeca Film, Drafthouse Films, PBS Films Distribution, and Paladin, among others, with releases including the 2012, 2013, and 2014 Academy Award nominees for Best Foreign Language film, Bullhead, War Witch, and The Broken Circle Breakdown , as well as the 2014 Academy Award-nominated documentary, The Act of Killing , in addition to leading the breakout indie hit of 2015, What We Do in the Shadows , to a gross of over $3.5m in domestic box office. As of the Fall of 2016, Tuckman is also an Associate Assistant Professor at the Feirstein Graduate School of Cinema at Brooklyn College, teaching a survey course on Theatrical Distribution and Exhibition.

Ryan Turek is the VP of Development in Blumhouse Productions’ feature films division. He’s also the co-host of the podcast Shock Waves. His break into the business came in 2000 when he became a journalist who specialized in the world of horror writing for Fangoria and Rue Morgue magazines. In the world of online, he co-founded DreadCentral.com and ran the popular horror website ShockTillYouDrop.com for several years. You can hear on film commentaries for Chopping Mall and The Blob remake.

Chloe Walters-Wallace is a Jamaican-bred creative with a passion for travel, anthropology, dancehall and installation art. Currently, she manages the Firelight Media Documentary Lab, a fellowship that provides mentorship, funding, and access to first- and second-time filmmakers from racially and ethnically underrepresented communities, as well as “Groundwork,” a new initiative which aims to expand the pipeline of emerging independent diverse makers from the South and the Midwest. Previously, Chloe was program director of the New Orleans Film Society’s Emerging Voices Mentorship Program, which establishes meaningful connections between industry leaders and Louisiana-based filmmakers of color. In 2018, she helped design and launch the Southern Producers Lab, a regional program bringing together 13 emerging, diverse producers from across the American South. Chloe has served on juries for NEA Media Arts, Create Louisiana, The Tricentennial Story Incubator, CAAM, Southern Circuit Tour of Independent Filmmakers, PBS Online Festival, Reel South, Cucalorus W-I-P Lab, and the Tribeca Film Institute IF/Then Short Documentary Program. Chloe lives between New York and New Orleans and is on the board of Court 13 Arts.

Benjamin Wiessner is a producer based in Durham, North Carolina. He was named to Filmmaker Magazine’s 25 New Faces of Indie Film in 2012 as part of the small collective ornana films. He has produced over a dozen short films in both hand-drawn animation and live action, with awards at festivals like SXSW and Sundance. He has also worked on ten features, including producing Thunder Road, winner of the 2018 Narrative Feature Grand Jury Prize at SXSW in 2018. He has been praised for his wily producer’s finesse with fire extinguishers.